My latest work is a mask inspired by my ancestral Yoruba tribe from West Africa. I wanted to represent the model of an elongated and oval shaped face, as this is commonly seen on traditional masks from the region.
Here you can see an up close and angled perspective of the nose bridge of the mask. The area is raised slightly to show a break in the surface of the face.
The method of this painting further explores my current practice of singular images against a black negative space. For this blog post, I felt that it was beneficial to take photos of the side angles and above/below vantage points to fully emphasize the immense texture in this piece.
A side view reveals a crevice of texture that was created when I applied some very grainy pieces to the face surface. I did this to add drama to the piece, and to represent the tribal scars of warfare that this mask would traditionally represent.
The eyes are a deep vacant black with glowing gold specks that are raised and have texture. My initial response was that seemed “spooky” but I think it was necessary to have gold floating over top of a black area for the eyes; as it allows the eyes to have their own space and stand out.
If looking closely, you can see a faint outline of lips protruding from the surface. I tried my best but I often get impatient when I have a good idea that I am excited about. Adding lips to emphasize the African features was one of these ideas. The next time I attempt to make a mask like this, I would like to spend more time on smoother corners and more pronounced features.
Thank you for stopping by, and as always I enjoy reading your comments
I was having fun with my video camera and shot this video the other day. I took the content from one of my blog postings and simply read it to the camera. Windows Media Movie Maker allowed me to easily insert photos and edit clips to make a video. It is posted on YouTube, so my style is much flirtier than usual. It was fun and I think I will continue to make videos that showcase my art.
I also decided to hide most of my face. I know what you might be thinking: yep, still bashful. I’m working on being more mentally present in each moment so that I can face whatever fear is causing it. Until I figure it out, it’s half off.
My latest work is an acrylic relief painting that is heavy in texture. There is so much texture that my work is part sculpture, as the object emerges from the canvas surface.
The concept follows the theme of my last few pieces; which is to show singular symbols against a black background. As the golden image floats through the darkness, it is representative of an echo from unknown depths coming outward. I say “echo” because it is difficult to determine what becomes of a feeling or thought once it is released into the universe. Perhaps on some level (collective consciousness, spiritual, or what have you), we communicate with symbols that carry deep personal meanings.
Upon looking closer, one can detect the relief caused by the use of texture. Using my palate knife, I sculpted the division of the planet’s rings from the body of the sphere. It was also difficult to make a decision as to whether or not it was proper to paint black lines to further divide the rings from the planet.
If I could change anything about this piece, it would be the unevenness caused by the division of the planet’s ring against the sphere body of the planet. I find it distracting.
When naming this piece, I wanted to avoid the obvious choice by calling it “Saturn”. To accomplish this, I researched other planets in our solar system with rings and learned that the planet Uranus has rings! The brightest of the 13 rings of Uranus is named Epsilon, and so voila!; the name of this golden planetoid painting was chosen.
This last shot is altered; brightness levels have been reduced, while contrast has been increased. This allows the blackness of the background to really offset the gold multi faceted sphere surface and it’s rings.
This design is also available on many items printed on demand at www.spacearttshirts.com. Thank you for stopping by.
These designs are possible through the use of Print on Demand services. They don’t exist until customers order it. When ordered: the design is printed and sewn in Michigan, USA by a print on demand fulfillment service, and sent out to the happy customer.
As a result of this Eco-friendly (and considerably much more sustainable) process, it takes a little extra time for each customer to receive their item. When I ordered my Space Dolls tee, it took 5 business days from making the order to getting it in the mail.
I have many other designs on their way! Thank you for visiting and check back soon for more.
I am excited to announce that I will now be offering prints of my artwork here on my blog!
At the top of the page (in the navigation bar) is a link that reads: “Purchase My Prints”. When you click that link you will see links to prints of my artwork that are for sale. With the awesome power of Shopify and my friends at Printify, you can have a beautiful print of my very original artwork sent to you with free shipping.
Thanks for supporting me, and be sure to check back for new posts soon!
Current price: $50 CDN with free shipping to Canada and the United States.
This work is based on dream-like apparitions of images, and symbols coming out of the darkness like an echo. “Neptune’s Trident” is a perfect example of what I am trying to achieve.
Walls can display one’s personality! These canvas with high quality print will always look as tight and flat as the day they were made. Every frame is built with a solid face to support the canvas and prevent deforming.
.: 100% Cotton fabric Printed on a natural white, matte, ultra smooth, 100% cotton rag with 400gsm standard
.: Recycled plastic frame
.: High image quality and detail ensures that the canvas will live for generations
.: For indoor use; pre-installed hanging hardware is built into the frame, along with felt protective bumpers. The hanging hardware is placed at the top of the image.
Images of original artwork.
Thank you for stopping by and for supporting Canadian artists.
My latest piece is entitled “Nights over Algonquin part 2”. It is part of a series I did with a deep-space black background.
The concept was to create a piece where the colours would jump out and create a sense of excitement.
Neon permanent green flows along the bottom of the piece as the dependable earth cradles us. A sea of blue is nestled within the fields of green as well; but, what I enjoy most about this piece is the sky.
In my eyes, the gorgeous blendings and splashings of silver, blue, and pearlescent violet against the deep Mars Black background remind me of an surrealistically neon light. The colours are almost alien, yet still emit a feeling of familiarity. The result is an excitement-filled piece that allows me to discover something new to love about it each time I lay my eyes upon it.