My latest work is an acrylic relief painting that is heavy in texture. There is so much texture that my work is part sculpture, as the object emerges from the canvas surface.
The concept follows the theme of my last few pieces; which is to show singular symbols against a black background. As the golden image floats through the darkness, it is representative of an echo from unknown depths coming outward. I say “echo” because it is difficult to determine what becomes of a feeling or thought once it is released into the universe. Perhaps on some level (collective consciousness, spiritual, or what have you), we communicate with symbols that carry deep personal meanings.
Upon looking closer, one can detect the relief caused by the use of texture. Using my palate knife, I sculpted the division of the planet’s rings from the body of the sphere. It was also difficult to make a decision as to whether or not it was proper to paint black lines to further divide the rings from the planet.
If I could change anything about this piece, it would be the unevenness caused by the division of the planet’s ring against the sphere body of the planet. I find it distracting.
When naming this piece, I wanted to avoid the obvious choice by calling it “Saturn”. To accomplish this, I researched other planets in our solar system with rings and learned that the planet Uranus has rings! The brightest of the 13 rings of Uranus is named Epsilon, and so voila!; the name of this golden planetoid painting was chosen.
This last shot is altered; brightness levels have been reduced, while contrast has been increased. This allows the blackness of the background to really offset the gold multi faceted sphere surface and it’s rings.
This design is also available on many items printed on demand at www.spacearttshirts.com. Thank you for stopping by.
One of my fixations of late, has been to capture my impressions of Earth from the viewpoint of someone looking down from space. Hours spent looking at Google Maps has helped with this (of course).
Pictured above is my latest piece: an abstract impression of islands floating in a clear and serene blue sea.
Although it is difficult to see in the photo- there is also some slight relief in this piece. You can see slightly raised lines in the shape of a circle. I enjoyed the use and mixture of colour to create this piece; however, if I could try this again, I would have started it on fresh canvas- sans relief lines.
I have been working with themes lately. I find that having a theme in mind keeps a person like me much more on track. As a creative-type, my process can be wandering due to my constant desire to explore, learn, and try new things.
This is my latest work, entitled: “Underwater Volcanic Pressure”
I wanted to capture an imagined view of magma trapped between two giant tectonic plates, by blending blues greens and bright orange with yellow.
The size is a bit small at 12 x 24 inches. If I could go back, I would had made this a bit larger, as I really like the way the orange magma turned out, and I would have liked to see it spread out on a wider canvas.
Right now I am enjoying using bright orange to contrast with dark blue in my work, so I am very excited to see how this will evolve in my next few pieces.
I have always been in awe of the sun. (Not unlike most other creatures on this earth of course.) One of my favourite comics features a short story about a personified celestial being (the sun) falling in love with a woman from the planet he orbited. You can read more about it here.
I created this acrylic on canvas piece in two parts (diptych). I wanted it to be a three part (triptych), but alas, when creativity strikes you must not wait too long to capture it.
In order to have a 3rd canvas ready at the time of production I would have needed to wait another day to have the frame dry enough to stretch the canvas and prep it with gesso. I was able to spend more time blending the colours with two pieces instead of three. I used a pearlescent powder with to give a shimmering effect for the cloud area around the bright orange sun. The idea here is that the sun is peeking over a deep blue ocean to move across the sky from East to West.
I have been practicing new techniques with my abstract art. Swirls, clouds, and other effects are what I have been trying to achieve, and as seen above, my pursuits have been pretty good.
This piece is different because not only have I tried to communicate familiar shapes, but I have experimented with the shape and dimensions of the canvas. (Notice that the top right corner is irregular, and creates an inclined shape.)
I still try to focus on effective colour composition- as this is the reason why I started painting in the first place. Grey, blue and gold are the colours I am loving right now; however, I am noticing that dark violet tones are creeping in to my work (seen here).
The marbled effect of this 12 X 24 piece is for me: almost breath taking.
I say “almost” because I am an outspoken critic of myself, along with the fact that I am in full understanding of the fact that I am very near to achieving the style I am working toward, but have not arrived there yet.
In this piece, I gave used acrylic on canvas, with a strong emphasis on dark vs light (perhaps a thematic feature of most of my work?). Texture and relief are present.
Gold is splashed within the veins of the work, to represent redemption and I even used sparse bits of gold leaf as well.
I created this piece this month- it took about 6 hours. I really enjoy the colour composition; the play between light and dark. It’s really easy to lose yourself in the arrangements demonstrated, and I’ve found guests who have seen it in person to stare at the intersecting lines in a Rothko-esque fashion. (Famed artist Mark Rothko (d. 1970) was said to believe that large art is best observed 18 inches away from the canvas surface.)
You can check out the listing for this piece here.