I have always been in awe of the sun. (Not unlike most other creatures on this earth of course.) One of my favourite comics features a short story about a personified celestial being (the sun) falling in love with a woman from the planet he orbited. You can read more about it here.
I created this acrylic on canvas piece in two parts (diptych). I wanted it to be a three part (triptych), but alas, when creativity strikes you must not wait too long to capture it.
In order to have a 3rd canvas ready at the time of production I would have needed to wait another day to have the frame dry enough to stretch the canvas and prep it with gesso. I was able to spend more time blending the colours with two pieces instead of three. I used a pearlescent powder with to give a shimmering effect for the cloud area around the bright orange sun. The idea here is that the sun is peeking over a deep blue ocean to move across the sky from East to West.
The marbled effect of this 12 X 24 piece is for me: almost breath taking.
I say “almost” because I am an outspoken critic of myself, along with the fact that I am in full understanding of the fact that I am very near to achieving the style I am working toward, but have not arrived there yet.
In this piece, I gave used acrylic on canvas, with a strong emphasis on dark vs light (perhaps a thematic feature of most of my work?). Texture and relief are present.
Gold is splashed within the veins of the work, to represent redemption and I even used sparse bits of gold leaf as well.
I wanted to feature this piece specifically because it incorporates lots of gold. I like it so much that I gave it a name;(something I have not made a habit of thus far). It is entitled “Heaven’s gate” as this was the first term that came to my mind when it was completed.
I used gold leaf, green and blue acrylic on this 12 x 6 inch canvas. The only qualm I have with this work is that it isn’t as large as it deserves to be (in my opinion). There is some limited relief and texture in this piece, and the blending is quite well executed.
I have not sold this piece yet, but even if it doesn’t sell I am happy to have it hand on my wall for as long as I am able to.
I created these as complimentary pieces using gold leaf. Each measures to be about 36 x 24 inches- quite large for acrylic on canvas. My goal was to create a glimpse into an underwater wold with dark colours blended into light yellows and gold.
I have hanged the two pieces in landscape orientation with the piece on the right above the piece on the left in my home: my hope is to create a statement wall of art that will act as a “conversation starter” in our dining area. I love interior design: especially when it is for my own home.
On the left
I like the use of violet (purple) as I rarely use this colour. It’s a colour that evokes deep emotion, and I find my eyes drawn to it when I behold this piece.
It’s very lovely.
The introduction of yellow at the top of this piece was a risk: I don’t actually love that hue of yellow as I feel that it contrasts too much with the violet colours (perhaps that is why I don’t often use violet as I find it difficult to compose colour schemes when it is involved).
On the right
I painted this piece first (before the one on the left). The colours are softer- much more somber than the hard contrast of the companion piece. There is much more gold leaf in this piece, and the dominant colours are grey and sky blue. I think this one captures the “underwater” theme more concretely.
I am looking forward to creating more pieces like this, and I think I am developing a distinct style for acrylics on canvas.
I painted this acrylic piece early in my career as an homage to my imagination. It began as a sketch on a piece of paper, then evolved to a drawing with thick black India Ink. I knew exactly what I wanted to do with that ink drawing once it was completed, and so, the bananas were born.
I have had a few observers of this piece comment on the fun and eye catching use of colour, as well as the fact that the bananas look very frightened by the phantom eyes that seem to be pursuing them. I really think that it is something that needs to be observed in person, as I also used a lot of relief and texture to add to the depth of the red background.