Floating, blending, and a swirl in acrylic on canvas

I love the colour blue.

In paint, in the sky, in eyes…

…and on rare occasions when I’ve seen the blue azure sea in the Caribbean where (half of) my people are from.

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My latest work is a blending of greens, blues, and yellows.  I used “swirling” techniques to bleed colours into each other and make the colours lead endlessly into each other.

The first photo is a bit dark, so I have included this one which adds detail:
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Note how vivid the yellows came out. I was super pleased with that.

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Green is quickly becoming my go-to. I suppose it has something to do with my desire for spring to return to Southern Ontario, and for my garden to bloom in the sunshine.

Thanks for reading,

S

Star Blast in Acrylic on canvas

My latest work is a complex conception of iridescent orange against a dark turbulent sky.

The layers of colour in this piece were difficult to achieve. The richness of colour that I had hoped to achieve is not present in this piece, and to me it looks like it needs more paint.

The concept of this abstract piece is that of a solar flare against a dark space background.

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An interesting technique with this piece is the use of fibrous tissue for the sun. I experimented with cotton fibers and molding paste as an adhesive to construct relief lines across the piece. The result is a “realness” to those sections that would not have been possible without creating a raised and textured surface.

Thanks for stopping by,

 

-S

Submerged Gold Underwater: Acrylic on Canvas

My latest work is an abstract conception of underwater  (or sunken) gold.

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Gold Underwater sinking to the deepest of depths.

I have been fortunate enough to take a dearly needed vacation and created this during my time away from work.

This is a modest 12 x 24 inch portrait style original work, that features intense contrasts of deep blue and gold. The idea that I worked with was to have blue waves engulf gold as it sunk deep underwater.

The image is a passive commentary on the notion of sunken treasure and opportunities that are out of reach, but still visible.

Much of my art is conceptual, abstract, and utterly beautiful to the eyes of a kindred be holder. I’ve received a lot of interesting feedback on my technique and style from people; and the ultimate response is that I should keep on going!

I think 800 is a nice number for a lifetime goal of art work… 😉

Thanks for reading

-S

Invisible Fish

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My most recent acrylic on canvas artwork is entitled “Invisible Fish”. I created an underwater snapshot of imaginary fish that are translucent and nearly invisible while swimming in an underwater scape.

Method

By blending colours and allowing some paint dripping, I created an underwater feeling in this piece. Some of the layering took place in my studio over several days. I found that when working with pearlescent paints, the first few layers are nearly transparent and need to be “built up” in order to have a more present form. This was specifically the case with the figures of fish in this piece. In order to fully show their form, I outlined their shapes in white (which also kind of gives them a glowing look).

I took a risk by incorporating and mixing a vibrant and viscous yellow acrylic into my ocean. The result was a greenish- nearly chartreuse yellow that represents algae and adventure for my invisible fish. The predominantly blue background is grainy- adding to the texture of the work. I think it was an interesting selection to contrast texture with “pearlesence” in this larger 36 x 12 piece.

That is all for now. Thanks for stopping by!

-S

Emerging Leaf Acrylic on Canvas

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This is my latest work with acrylic paint on homemade canvas. It is an abstract depiction of a leaf with gold veins and blue hieroglyphs. The size is a bit larger than I had planned for: one of those times where scrap wood was aplenty, and my mitre saw had not been used in several weeks in a row. The size is at least 18 x 24 inches, without support cross beams. I used wood glue and stainless steel staples to secure 2 x 2 inch wood into the square frame shape.

Method

The method I used was to splatter paint as well as strokes with a rough bristled brush. There is minimal layering involved with this piece with the exception of hieroglyphs. In the top left hand corner there is slight glimpse of under painting: a green rectangle with 3 boxes. I wanted to have more showings of texture in this piece, but was unable to fully execute that desire.

Colour Composition

Green, blue, and gold are blended together. I used some paint dripping but the overall desire was to have “splashing” colours that combine to the shape of a leaf with gold flecks of sunlight as the veins that bring life.

That is all for now. Thanks for stopping by!

-S

Ocean Wave Acrylic 

It took 3 major painting sessions (including many hours) to “get” this. 

It’s an ocean wave. I’ve abstractly expressed the splashing and there is a strong water theme.

There is lots of relief and texture present in this small 6 x 12, and it had a presence that leaps off of the canvas. 

That’s all for now! 

-S 

Subtle acrylic blending

My latest piece represents a dream sequence, which suggests that I dream in violet and gold.

This 6 x 12 acrylic on canvas piece definitely captures the uncertainty and mixed expectations often found in dreams. I especially like the marbling effects that are present in the areas where violet/blue meets lighter peach colours.

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This is the second of my pieces that I have has the pleasant opportunity to photograph in my backyard among my plush hydrangea plants. Looking at the beautiful shape of the leaves, they add a nice contrast against the colour variety found in this piece, entitled No. 20.

Thanks for stopping by,

-S

Lovely green, blue, and aqua acrylic

I have returned to colours like aqua and green in my latest work, called No. 19.

imageIt is summer here in Southern Ontario, which means that my backyard is the perfect location to take full-light photos of my work. The backyard gets full sun for 6+ hours per day (which can make it very very hot during our 30 + degree Celsius weather).

The hydrangea plants serve as a perfect backdrop for smaller pieces. The rich green in the leaves make for an engaging background with lots of depth.

 

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Thanks for stopping by,

-S