I have always been in awe of the sun. (Not unlike most other creatures on this earth of course.) One of my favourite comics features a short story about a personified celestial being (the sun) falling in love with a woman from the planet he orbited. You can read more about it here.
I created this acrylic on canvas piece in two parts (diptych). I wanted it to be a three part (triptych), but alas, when creativity strikes you must not wait too long to capture it.
In order to have a 3rd canvas ready at the time of production I would have needed to wait another day to have the frame dry enough to stretch the canvas and prep it with gesso. I was able to spend more time blending the colours with two pieces instead of three. I used a pearlescent powder with to give a shimmering effect for the cloud area around the bright orange sun. The idea here is that the sun is peeking over a deep blue ocean to move across the sky from East to West.
I have been practicing new techniques with my abstract art. Swirls, clouds, and other effects are what I have been trying to achieve, and as seen above, my pursuits have been pretty good.
This piece is different because not only have I tried to communicate familiar shapes, but I have experimented with the shape and dimensions of the canvas. (Notice that the top right corner is irregular, and creates an inclined shape.)
I still try to focus on effective colour composition- as this is the reason why I started painting in the first place. Grey, blue and gold are the colours I am loving right now; however, I am noticing that dark violet tones are creeping in to my work (seen here).
The marbled effect of this 12 X 24 piece is for me: almost breath taking.
I say “almost” because I am an outspoken critic of myself, along with the fact that I am in full understanding of the fact that I am very near to achieving the style I am working toward, but have not arrived there yet.
In this piece, I gave used acrylic on canvas, with a strong emphasis on dark vs light (perhaps a thematic feature of most of my work?). Texture and relief are present.
Gold is splashed within the veins of the work, to represent redemption and I even used sparse bits of gold leaf as well.
I created this piece this month- it took about 6 hours. I really enjoy the colour composition; the play between light and dark. It’s really easy to lose yourself in the arrangements demonstrated, and I’ve found guests who have seen it in person to stare at the intersecting lines in a Rothko-esque fashion. (Famed artist Mark Rothko (d. 1970) was said to believe that large art is best observed 18 inches away from the canvas surface.)
You can check out the listing for this piece here.
This was one of my first canvases that I made from scratch; by cutting knotty pine to size and using wood glue and staples to secure the rectangular shape. I don’t think i had discovered gesso yet, so I made a mixture of white acrylic paint, Elmer’s glue, and wood glue to prime the cotton material for painting.
As a sewing aficionado, I have a rather large collection of fabric that I keep in my studio. It has resulted in a great segway into stretched canvas creation for my paintings. (You can bet your pants that I will explain more about that in a future post)
This is an experimental design of acrylic on canvas that I completed a few weeks ago. I call it: “Into the Bubble-verse”. My idea was to illustrate a universe of blue bubbles; however, without knowing that they are bubbles, an observer could draw other observations. I’m actually inspired to paint another similar piece that connects more abstractly to the idea of a bubble universe. (*giggles* I hope you can tell how much I enjoy this new hobby).
Alas I have gifted this piece to my dear brother for his birthday, after he mentioned how much he liked it.