My latest piece was an unexpected development of blending and contrasting colours. Using acrylic pour techniques, hunter green and moss are suspended in each other to give the appearance of cream meeting coffee.
The left and bottom edges have paint splatter to amp up the drama and turbulence of the environment, while yellow specks of sunlight peek through the dense cloud space. The title of this work is simply G.C.
My favourite part of the work is seen above- the meeting of the light creamy green with dark green. The figure is ghostly, and resembles a human face that seems to possibly be aghast. At its heart is a void of cerulean blue- as if an explosion removed what was there before.
I love the abstract art because it allows the viewer to decide the story of what they see. I am continuously impressed by the imaginative responses I get from people about what they see in my artwork. It is truly amazing to reflect on the power of those imaginations, and also how the experiences or mindsets of people influence what they see.
Thank you for checking in. Comment below and let me know what you see.
My latest work is a colourful study of phantom faces.
12 x 12 Inch
I wondered what it might be like to draw faces on canvas with India ink, and have them obscured by blended acrylic, like clouds of colourful milk in coffee.
My favourite of the three is this one:
I wanted to capture the feeling of a first kiss. Eyes closed, and embracing the warmth of the moment, with a splash of orange excitement. I hung this 10 x 10 inch piece on the wall near my side of the bed.
The eyes have it all in this piece. The concept is similar except orange represents desire in addition to excitement. The face is nondescript and slightly obscured by green smoke. The varied shades of green in this piece represent renewed interest, ambition, and a slight sense of greed. Though desire exists in the subject’s eyes, there is an element of greed suggested here because the desire is directed somewhere it should not be. This is further supported by the overall obstruction of the phantom face…hidden feelings.
Finally, the last but not the least of my three piece study of phantom faces. In this piece the phantom face has been completely taken over by the hot emotion of attraction. The subject’s face has been totally obscured and only the bridge of a nose and an ear can be seen. I took my time with the application of orange in this piece. I did not want it to bleed and mix into the blue and yellow layers beneath; so I allowed the entire thing to dry completely before adding the final orange layer.
Passion, and excitement: I think my work is moving in a positive direction!
My most recent acrylic on canvas artwork is entitled “Invisible Fish”. I created an underwater snapshot of imaginary fish that are translucent and nearly invisible while swimming in an underwater scape.
By blending colours and allowing some paint dripping, I created an underwater feeling in this piece. Some of the layering took place in my studio over several days. I found that when working with pearlescent paints, the first few layers are nearly transparent and need to be “built up” in order to have a more present form. This was specifically the case with the figures of fish in this piece. In order to fully show their form, I outlined their shapes in white (which also kind of gives them a glowing look).
I took a risk by incorporating and mixing a vibrant and viscous yellow acrylic into my ocean. The result was a greenish- nearly chartreuse yellow that represents algae and adventure for my invisible fish. The predominantly blue background is grainy- adding to the texture of the work. I think it was an interesting selection to contrast texture with “pearlesence” in this larger 36 x 12 piece.
This is my latest work with acrylic paint on homemade canvas. It is an abstract depiction of a leaf with gold veins and blue hieroglyphs. The size is a bit larger than I had planned for: one of those times where scrap wood was aplenty, and my mitre saw had not been used in several weeks in a row. The size is at least 18 x 24 inches, without support cross beams. I used wood glue and stainless steel staples to secure 2 x 2 inch wood into the square frame shape.
The method I used was to splatter paint as well as strokes with a rough bristled brush. There is minimal layering involved with this piece with the exception of hieroglyphs. In the top left hand corner there is slight glimpse of under painting: a green rectangle with 3 boxes. I wanted to have more showings of texture in this piece, but was unable to fully execute that desire.
Green, blue, and gold are blended together. I used some paint dripping but the overall desire was to have “splashing” colours that combine to the shape of a leaf with gold flecks of sunlight as the veins that bring life.
I have returned to colours like aqua and green in my latest work, called No. 19.
It is summer here in Southern Ontario, which means that my backyard is the perfect location to take full-light photos of my work. The backyard gets full sun for 6+ hours per day (which can make it very very hot during our 30 + degree Celsius weather).
The hydrangea plants serve as a perfect backdrop for smaller pieces. The rich green in the leaves make for an engaging background with lots of depth.
Lately, I have been working with a lot of pastel greens and examining how they interact with deep cerulean blue in my acrylic technique.
When I say “lately” I’m specifically talking about the past few days since summer has arrived here in Southern Ontario, Canada.
Although my initial entry into the art world began with my desire to create large artists canvas at infinitesimally cheaper costs than retail; I have become preoccupied with smaller pieces (6″ x 12″) in a rectangular shape.
By the end of July, I am hoping to have enough pieces that I am proud of enough to put forward as part of my portfolio. Portfolio + confidence are my goals as an artists for the summer of 2016.