Gold textured mask with a black background

A human face painted in gold with textured and raised sculpture relief on the canvas with a black painted background.
A relief mask with texture and gold acrylic paint

My latest work is a mask inspired by my ancestral Yoruba tribe from West Africa. I wanted to represent the model of an elongated and oval shaped face, as this is commonly seen on traditional masks from the region.

A human face painted in gold with textured and raised sculpture relief on the canvas with a black painted background.
A gold textured mask by Stephanie Konu

Here you can see an up close and angled perspective of the nose bridge of the mask. The area is raised slightly to show a break in the surface of the face.

The method of this painting further explores my current practice of singular images against a black negative space. For this blog post, I felt that it was beneficial to take photos of the side angles and above/below vantage points to fully emphasize the immense texture in this piece.

A human face painted in gold with textured and raised sculpture relief on the canvas with a black painted background.
A gold mask inspired by ancient Yoruba ancestral masks painted by Stephanie Konu

A side view reveals a crevice of texture that was created when I applied some very grainy pieces to the face surface. I did this to add drama to the piece, and to represent the tribal scars of warfare that this mask would traditionally represent.

The eyes are a deep vacant black with glowing gold specks that are raised and have texture. My initial response was that seemed “spooky” but I think it was necessary to have gold floating over top of a black area for the eyes; as it allows the eyes to have their own space and stand out.

A human face painted in gold with textured and raised sculpture relief on the canvas with a black painted background.
Side of mask painting by Stephanie Konu

If looking closely, you can see a faint outline of lips protruding from the surface. I tried my best but I often get impatient when I have a good idea that I am excited about. Adding lips to emphasize the African features was one of these ideas. The next time I attempt to make a mask like this, I would like to spend more time on smoother corners and more pronounced features.

A human face painted in gold with textured and raised sculpture relief on the canvas with a black painted background.
Lips of the ancestral mask are faintly seen here

Thank you for stopping by, and as always I enjoy reading your comments

-S

Gold relief painting in acrylic

My latest work is an acrylic relief painting that is heavy in texture. There is so much texture that my work is part sculpture, as the object emerges from the canvas surface.

An acrylic texture relief painting Epsilon in gold texture with black background. Saturn like ring around planet.

The concept follows the theme of my last few pieces; which is to show singular symbols against a black background. As the golden image floats through the darkness, it is representative of an echo from unknown depths coming outward. I say “echo” because it is difficult to determine what becomes of a feeling or thought once it is released into the universe. Perhaps on some level (collective consciousness, spiritual, or what have you), we communicate with symbols that carry deep personal meanings.

An acrylic texture relief painting Epsilon in gold texture with black backgroundAn acrylic texture relief painting Epsilon in gold texture with black background

Upon looking closer, one can detect the relief caused by the use of texture. Using my palate knife, I sculpted the division of the planet’s rings from the body of the sphere. It was also difficult to make a decision as to whether or not it was proper to paint black lines to further divide the rings from the planet.

An acrylic texture relief painting Epsilon in gold texture with black background

If I could change anything about this piece, it would be the unevenness caused by the division of the planet’s ring against the sphere body of the planet. I find it distracting.

When naming this piece, I wanted to avoid the obvious choice by calling it “Saturn”. To accomplish this, I researched other planets in our solar system with rings and learned that the planet Uranus has rings! The brightest of the 13 rings of Uranus is named Epsilon, and so voila!; the name of this golden planetoid painting was chosen.

An acrylic texture relief painting Epsilon in gold texture with black background Saturn ring planet

This last shot is altered; brightness levels have been reduced, while contrast has been increased. This allows the blackness of the background to really offset the gold multi faceted sphere surface and it’s rings.

This design is also available on many items printed on demand at www.spacearttshirts.com. Thank you for stopping by.

-S

“Homonym” Square Framed Premium Gallery Wrap Canvas

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Fall into Homonym.

Current price: $50 CDN with free shipping to Canada and the United States.

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The top of the piece is an abstract setting of the sun cascading over water that is becoming increasingly rough. There are wisps of grey storm clouds co-mingling with the sun- perhaps to ultimately overpower it. This work of art is currently on display in the dining room of the Legislative Building at Queen’s Park, Toronto, Canada.

Walls can display one’s personality! These canvas with high quality print will always look as tight and flat as the day they were made. Every frame is built with a solid face to support the canvas and prevent deforming.

.: 100% Cotton fabric Printed on a natural white, matte, ultra smooth, 100% cotton rag with 400gsm standard
.: Recycled plastic frame
.: High image quality and detail ensures that the canvas will live for generations
.: For indoor use; pre-installed hanging hardware is built into the frame, along with felt protective bumpers. The hanging hardware is placed at the top of the image.

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Images of original artwork.

Thank you for stopping by and for supporting Canadian artists.

-S

Gold Trident with Black Background

My latest work is a gold trident with a textured surface. The piece is 11 x 14 inches and is entitled: Neptune’s Trident.

Gold trident shape symbol with black background
Neptune’s Trident by Stephanie Konu

I started off with a free hand sketch of a 3 pronged shape. Using a ruler to outline the sections, my aim was to ensure a shape that was as “un-lopsided” as possible. Without a symbol to trace, or a rough draft on graph paper it was tricky to conceptualize this shape.

Gold trident shape symbol with black background
Neptune’s Trident 2019 by Stephanie Konu

Once the shape was sketched on the canvas, I furthered my experimentation with texture by shaping a thin outline along the edges of the trident. I used a technique similar to the one used for decorating cookies with royal icing. Stiff and dry texturizing compound along the border wall, to contain a more watery texturized mix that was flooded into the body of the shape. You can see that this approach has its drawbacks since the relief of the borders seems to be much higher than the inner body. The higher relief along the border contributes to an unevenness generally.

Gold trident shape symbol with black background
Neptune’s Trident 2019 by Stephanie Konu

One of the the things I learned from creating this piece was the need for neatness and order! As you can see, each tip of the trident should be much more “pointed”, yet they are uniquely different. This is because of my sketch that was lacking a cleanly drawn plan for where to apply texture on the canvas.

The result leans farther towards the abstract than I would have hoped for. This current study of work is based on dream-like apparitions of images, and symbols coming out of the darkness like an echo. I think that “Neptune’s Trident” is a perfect example of what I am trying to achieve. I am excited to begin working on my next project in this series.

Thank you (as always) for stopping by.

-S

Cotton Candy Pink and Gold

My latest work is a small 12 x 7 inch acrylic on canvas featuring pink and gold.

Pink, magenta, gold inkblot bright colour with white negative space.
Cotton candy Nebula by Stephanie Konu

The white cloud border was applied as an overlay for the background after the entire area was painted.

I used acrylic calcium texture along the borders of this inkblot. I say inkblot because my first choice of using “swoosh” to describe the shape of pink and gold fields atop negative white space did not seem descriptive enough.

Pink, magenta, gold inkblot bright colour with white negative space
Cotton candy Nebula (zoom) by Stephanie Konu

This is one of the first times I have used white as a negative space in my work. I think I avoid it because I always think white space on canvas seems unfinished. Alas, there is so much going on in this piece, that it demands a closer look.

Pink, magenta, gold inkblot bright colour with white negative space
Cotton candy Nebula (zoom) by Stephanie Konu

I frequently see miniature scenelettes in my work. It is a byproduct of my process, and something that I feel passionately about. The feeling of creating where nothing existed before, is thrilling for me.

You can see this piece: Cotton Candy Nebula as a digital print on www.spacearttshirts.com as part of the newest collection.

Pink, magenta, gold inkblot bright colour with white negative space
Cotton candy Nebula by Stephanie Konu

Thanks for stopping by,

S

Green and Gold Tropical Abstract Landscape

My latest work is a beautiful, calming, abstract scene.

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It is a mere 5 x 7 inches, and is entitled: “Tropical Misty Beach”. It is a haunting scene of a thick mist overcoming golden mountain ranges that can be seen peeking through. Gritty texture formed at the base of the mountain range add depth, and continue on to scatter into the deep blue sea.

 

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As the texture settles into the sea, green colonies of coral are visible, as if they are poking out from the calm tropical sea’s surface. Perhaps for some, the white misty clouds moving across the landscape are more than condensation; their forms mimic spirits on a diaspora across the land. It’s something my imagination created, and I am interested in hearing what your imagination came up with in the comments section.

This piece really moved my sensibilities to feelings of calm and tranquility. My only regret is that I didn’t make this piece larger-perhaps 100 cm x 100 cm. Although I am unsure if bigger would have resulted in better for this abstract style.

 

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Thanks for stopping by,

-S

 

Mountain Abstract Landscape Three Piece Series

During an experimental session of making art canvas, I tried my hand with using thin and lighter weight wood to build small 5 x 7 inch frames. My intention was to design something that had commercial applications; and right now in the online art world it is simple to make small art pieces that can be easily shipped at a minimal cost.

 

My three piece art series is a cerulean blue and gold set of abstract landscapes entitled:

01 Sea Breeze
02 Sea Breeze
03 Sea Breeze

The first is a rocky scene.

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The second has points.

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Sea Breexe Acrylic on canvas blue acrylic gold small art Stephanie Konu
Sea Breeze Acrylic on canvas

 

And the third is simply the sun, alone against the world. I used acrylic texturizer and pouring techniques to layer hues of blue over top other darker hues. The result is a backdrop with uneven colours that look like an abstract sky. “Stephanie’s sky” as I like to think of it.

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They are all for sale here on my etsy page.

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Thank you for stopping by, and as always, I love to read your comments.

 

-S