My latest piece is entitled “Nights over Algonquin part 2”. It is part of a series I did with a deep-space black background.
The concept was to create a piece where the colours would jump out and create a sense of excitement.
Neon permanent green flows along the bottom of the piece as the dependable earth cradles us. A sea of blue is nestled within the fields of green as well; but, what I enjoy most about this piece is the sky.
In my eyes, the gorgeous blendings and splashings of silver, blue, and pearlescent violet against the deep Mars Black background remind me of an surrealistically neon light. The colours are almost alien, yet still emit a feeling of familiarity. The result is an excitement-filled piece that allows me to discover something new to love about it each time I lay my eyes upon it.
I used an acrylic pour method as the background; mixing white and silver as the colour for waves splashing on the coast. If you look closely, you can see a high tide wave emerging from the lower left side.
As the acrylic pour developed: a coral-like branch protrudes out into the heart of the painting. The branches have a fractal quality to them, which pull the eyes deeper in.
Over the vista, and through the green limbs of an alien-looking cactus plant; two moons co-orbit the sky. The presence of two moons makes evident that this abstract scene takes place on another world. In my imagination, the piece looks out from the reeds to the sky on a clear night. In a warm atmosphere, an ocean wave washes on to the shore sending water splashing up into the night sky. The oddly shaped plant is my favourite part as it is totally imperfect, but works well with the painting’s alien theme.
My latest work is an abstract mixed media on canvas. I used 24K gold leaf in addition to gold and black acrylic to create a piece that I call: “Concerto”.
Concerto is an abstract representation of my imagination of time in the universe. Time is a fluid force that melts through its environment, seeping into small crooks and caverns. The fluidity of time is one that is difficult to contain, and is uncontrollable as a result.
The positioning of each corner where gold touches black- where time meets our reality- is temporary. In this piece, the golden field melts over-top of the black expanse in an uneven method, also signifying the non-linear nature of the measurement of time in the universe versus our perceptions.
The gold colour signifies the rarity of time to humans in our existence. Time is limited, like gold, and thus holds immense value to us. At the heart of the gold acrylic field, a spackle of 24K gold leaf represents the truth and realness that lies within the unmeasurable field of golden time.
In this way, I intend to express that the value is truly authentic, as the heart of the field is real gold and not just a representation.
What do you see in my latest piece? Tell me what you think in the comments below.
Latest Scratch Work: Herald Angel 2018-
Acrylic on wood panel by Stephanie Konu
This abstract 10 x 10 inch wood panel is a wild ride of eclectic technique, unusual colour, contrast, and a psychedelic trip into the imagination.
I named it Herald Angel because the golden field that sits in the north-west corner represents an angel’s visit. Darkness swirls below. Iridescent green floats away into the atmosphere. Its existence is alien and benevolent.
I love how the heavy iridescent green floats over the complex blue background. The swirling blue is reminiscent of an ocean from a satellite view of a planet.
Thank you for checking in. I do this blog as an artistic expression for myself, so I love your comments!
My latest 13 inch x 13 inch// 33 cm x 33 cm artwork is an abstract birds-eye-perspective of islands. It is entitled “Gold Coastal”.
The scattering of lush green islands across a deep cerulean blue coastline is pleasing to the eye. It is easy to find relaxation as the eyes travel from island to island; imagining the people, places, and things that live on each one.
I used real 10K gold leaf to emphasize three areas of the archipelago setting. For me, there is always power in trilogy as it carries a deep personal meaning. There are darker shimmering layers throughout the piece to emphasize the complexity of the shoreline. I limited my use of relief in this piece, although I think a bit more texture would have been a good replacement to add grains of detail along the coasts.
My latest piece was an unexpected development of blending and contrasting colours. Using acrylic pour techniques, hunter green and moss are suspended in each other to give the appearance of cream meeting coffee.
The left and bottom edges have paint splatter to amp up the drama and turbulence of the environment, while yellow specks of sunlight peek through the dense cloud space. The title of this work is simply G.C.
My favourite part of the work is seen above- the meeting of the light creamy green with dark green. The figure is ghostly, and resembles a human face that seems to possibly be aghast. At its heart is a void of cerulean blue- as if an explosion removed what was there before.
I love the abstract art because it allows the viewer to decide the story of what they see. I am continuously impressed by the imaginative responses I get from people about what they see in my artwork. It is truly amazing to reflect on the power of those imaginations, and also how the experiences or mindsets of people influence what they see.
Thank you for checking in. Comment below and let me know what you see.