To me: it is an abstract scene of a green field sloping upward against a backdrop of a glacier. Sunrays are shining against the hilltop which is pictured in the heart of the piece.
There are raised areas that create texture where multiple colours intersect. This intersection is pictured above. I love how the yellow field has these “legs” that creep into other colours without merging and losing vibrancy.
I like seeing that in my work! It makes me feel confident that I can repeat my style of painting across various conditions. I imagine being invited to Portugal for a month to paint large works for a private collection. I would paint 7 hours a day and do 50 pieces. The client would hang my artwork in a castle near the Mediterranean Sea…
Ah dreams take us away, don’t they?
For the time being, I will share my artwork with you.
It is an interesting piece. There are reflective fields where I used metallic paint, as well as iridescent violet embossing powder. I will take further photos of it as time goes by, (if it stays in my posession).
My latest work is a small 12 x 7 inch acrylic on canvas featuring pink and gold.
The white cloud border was applied as an overlay for the background after the entire area was painted.
I used acrylic calcium texture along the borders of this inkblot. I say inkblot because my first choice of using “swoosh” to describe the shape of pink and gold fields atop negative white space did not seem descriptive enough.
This is one of the first times I have used white as a negative space in my work. I think I avoid it because I always think white space on canvas seems unfinished. Alas, there is so much going on in this piece, that it demands a closer look.
I frequently see miniature scenelettes in my work. It is a byproduct of my process, and something that I feel passionately about. The feeling of creating where nothing existed before, is thrilling for me.
You can see this piece: Cotton Candy Nebula as a digital print on www.spacearttshirts.com as part of the newest collection.
I frequently represent the sun in my art work. It adds a heavy presence and deep meaning to my art. Sometimes the subject is an abstract of an earthly landscape, and other times not. One of the things that I enjoy the most about creating art is the feedback I get from other people describing what they see. Art is truly as subjective as they say, and so I think the meaning, impression and other descriptors of a piece must change depending on who is looking. I love the sun. To me, my latest work is an island sun.
Such a beautiful combination to have blue, green and yellow splashes representing the sun.
This 13 x 13 inch acrylic on gallery canvas is called Clarendon, and is the latest of my Fall 2018 series.