To me: it is an abstract scene of a green field sloping upward against a backdrop of a glacier. Sunrays are shining against the hilltop which is pictured in the heart of the piece.
There are raised areas that create texture where multiple colours intersect. This intersection is pictured above. I love how the yellow field has these “legs” that creep into other colours without merging and losing vibrancy.
I like seeing that in my work! It makes me feel confident that I can repeat my style of painting across various conditions. I imagine being invited to Portugal for a month to paint large works for a private collection. I would paint 7 hours a day and do 50 pieces. The client would hang my artwork in a castle near the Mediterranean Sea…
Ah dreams take us away, don’t they?
For the time being, I will share my artwork with you.
It is an interesting piece. There are reflective fields where I used metallic paint, as well as iridescent violet embossing powder. I will take further photos of it as time goes by, (if it stays in my posession).
My latest 10 x 10 inch// 25 x 25 cm acrylic on canvas continues my study of singular-focused images against black negative space. This piece features a heavily textured triangle shape that is entirely golden.
I took photos of in the light, and so the shine of the black acrylic paint allows the viewer to also see raised texture floating in the blackness. Here (below) is a shot with the brightness turned down, and the contrast brought up to maximum. The painting has a much sexier look with the adjustments- and I think I will (one day) invest in the services of a professional photographer to capture my work.
What a haunting image
The intent behind this piece was to depict the fading light of a distant dying star. The glow is homogeneous and the texture is as even as I could apply it. It reminds me of a ghostly apparition. Something emerging from the darkness that has an unknown origin.
If I could change something about this piece, it would be the lack of clean and sharp lines. I will work on honing my sculpture skills in the next piece. This style needs to be explored, and I have quite a few ideas I’m very excited to implement.
Thanks for stopping by, and please check in again soon to see what I have been working on.
My latest work has two parts. I spent twice the usual amount of time to paint these two pieces at the same time. My goal here was to use the same colour scheme to carry across two landscapes.
In the end, I created “Terror Beach” (right) and “Call out to the Universe” (left).
When set side by side, the sweeping brush strokes seem to begin in the lower right hand corner and fly out to the left.
The dripping violet that emerges from the conical horizon in “Terror Beach” creates an eerie setting. There is a ghostly apparition of a sun or moon above the mountains that does little to illuminate the texture rich darkness that encroaches from the eastern skyline. And yet, somehow, there is a mysterious shape below the waters that edge the mountainous horizon.
“Call Out to the Universe” has a similar mysterious message; begging the question of who calls out to whom in the vast emptiness? An unfamiliar object is answering the call.
This recent work was a thrill for me. I enjoyed the story telling aspect as much as creating the actual painting itself.
You can check out the listing for sale on my Etsy page by clicking here.