To me: it is an abstract scene of a green field sloping upward against a backdrop of a glacier. Sunrays are shining against the hilltop which is pictured in the heart of the piece.
There are raised areas that create texture where multiple colours intersect. This intersection is pictured above. I love how the yellow field has these “legs” that creep into other colours without merging and losing vibrancy.
I like seeing that in my work! It makes me feel confident that I can repeat my style of painting across various conditions. I imagine being invited to Portugal for a month to paint large works for a private collection. I would paint 7 hours a day and do 50 pieces. The client would hang my artwork in a castle near the Mediterranean Sea…
Ah dreams take us away, don’t they?
For the time being, I will share my artwork with you.
It is an interesting piece. There are reflective fields where I used metallic paint, as well as iridescent violet embossing powder. I will take further photos of it as time goes by, (if it stays in my posession).
My latest 10 x 10 inch// 25 x 25 cm acrylic on canvas continues my study of singular-focused images against black negative space. This piece features a heavily textured triangle shape that is entirely golden.
I took photos of in the light, and so the shine of the black acrylic paint allows the viewer to also see raised texture floating in the blackness. Here (below) is a shot with the brightness turned down, and the contrast brought up to maximum. The painting has a much sexier look with the adjustments- and I think I will (one day) invest in the services of a professional photographer to capture my work.
What a haunting image
The intent behind this piece was to depict the fading light of a distant dying star. The glow is homogeneous and the texture is as even as I could apply it. It reminds me of a ghostly apparition. Something emerging from the darkness that has an unknown origin.
If I could change something about this piece, it would be the lack of clean and sharp lines. I will work on honing my sculpture skills in the next piece. This style needs to be explored, and I have quite a few ideas I’m very excited to implement.
Thanks for stopping by, and please check in again soon to see what I have been working on.
My latest artwork is both relaxing and bold. Cerulean blue is contrasted with a sharp yellow line that spans the face of the piece.
The piece is entitled Covered Path and features a semi-obscured bright yellow glimpse of a sun reflecting off of a stormy ocean surface.
Splashes of cerulean blue, white, and turquoise give life and movement.
The arctic white bursts out like an explosion into bright yellow sunspots.
A small piece of gold leaf adds a reflective and eye catching aspect to the work. When the sun catches this piece, this tiny piece of gold acts as a reminder to stay positive and to cultivate gratitude.
The white splatter spot brings the piece together, serving as a reminder that calm, tranquility, and peace is ever present in the universe.
It is October and Autumn is upon us in Ontario Canada, yet my latest artwork has a warm tropical vibe.
It reminds me of a golden coral reef scattered across a perfect tropical sea. As with all of my art, I encourage discussion regarding what is depicted in the painting. Abstract art has the opportunity to become much more personal to the viewer/owner when there are no constrictions on the concept of what is being depicted.
The gold and iridescent turquoise in this work provides for a reflective surface, and so depending on the point of incidence (the angle at which the light hits the surface) the vibrancy of the colours can be increased or diminished.
This is a very special piece. It exhibits texture, reflective surface, and an abstract representation of shapes. With a beautiful frame, this piece would add a serene calmness to any cherished space.