I decided to buy a cheap brand of acrylic paint on a recent trip to the art supply store.
The quantity was plenty, and the colours looks great; but, when I got the tubes home I noticed that they did not mix well with my usual premium acrylic paints to create a style that I liked. One of the positive sides to this mishap, was that the paints had a nice body to them; and I was able to create some texture in this piece (seen above).
I have heard many times that in order to be good at something (like, really really good), you have to do whatever the thing is every single day. Following that stream of thought, it would make sense that some days as a painter, one just needs to paint for the sake of painting. The quality of the paint should not really matter or serve as a roadblock to achieving the goal of painting everyday.
Above we see an abstract landscape painting. I intended it to be a very abstract and colourful scene with mountains and a golden sun. I have heard from many admirers of my art that as the beholder’s they can decide on what they see. The colours are decided, but ultimately the image that is viewed is entirely up to you, and how you feel at that moment.
although I had very reasonable intentions, it did not turn out as I had expected.
I am a harsh and rigid critic of my own work.
I think that it is important to appreciate your good and bad pieces as an artist. It is a part of any journey to becoming something: learning from your mistakes and planning out what to do better next time.
It will be a great feeling to cover up some of these with gesso.
I have been working with themes lately. I find that having a theme in mind keeps a person like me much more on track. As a creative-type, my process can be wandering due to my constant desire to explore, learn, and try new things.
This is my latest work, entitled: “Underwater Volcanic Pressure”
I wanted to capture an imagined view of magma trapped between two giant tectonic plates, by blending blues greens and bright orange with yellow.
The size is a bit small at 12 x 24 inches. If I could go back, I would had made this a bit larger, as I really like the way the orange magma turned out, and I would have liked to see it spread out on a wider canvas.
Right now I am enjoying using bright orange to contrast with dark blue in my work, so I am very excited to see how this will evolve in my next few pieces.
I have always been in awe of the sun. (Not unlike most other creatures on this earth of course.) One of my favourite comics features a short story about a personified celestial being (the sun) falling in love with a woman from the planet he orbited. You can read more about it here.
I created this acrylic on canvas piece in two parts (diptych). I wanted it to be a three part (triptych), but alas, when creativity strikes you must not wait too long to capture it.
In order to have a 3rd canvas ready at the time of production I would have needed to wait another day to have the frame dry enough to stretch the canvas and prep it with gesso. I was able to spend more time blending the colours with two pieces instead of three. I used a pearlescent powder with to give a shimmering effect for the cloud area around the bright orange sun. The idea here is that the sun is peeking over a deep blue ocean to move across the sky from East to West.
The marbled effect of this 12 X 24 piece is for me: almost breath taking.
I say “almost” because I am an outspoken critic of myself, along with the fact that I am in full understanding of the fact that I am very near to achieving the style I am working toward, but have not arrived there yet.
In this piece, I gave used acrylic on canvas, with a strong emphasis on dark vs light (perhaps a thematic feature of most of my work?). Texture and relief are present.
Gold is splashed within the veins of the work, to represent redemption and I even used sparse bits of gold leaf as well.
I wanted to feature this piece specifically because it incorporates lots of gold. I like it so much that I gave it a name;(something I have not made a habit of thus far). It is entitled “Heaven’s gate” as this was the first term that came to my mind when it was completed.
I used gold leaf, green and blue acrylic on this 12 x 6 inch canvas. The only qualm I have with this work is that it isn’t as large as it deserves to be (in my opinion). There is some limited relief and texture in this piece, and the blending is quite well executed.
I have not sold this piece yet, but even if it doesn’t sell I am happy to have it hand on my wall for as long as I am able to.