My latest work is an acrylic relief painting that is heavy in texture. There is so much texture that my work is part sculpture, as the object emerges from the canvas surface.
The concept follows the theme of my last few pieces; which is to show singular symbols against a black background. As the golden image floats through the darkness, it is representative of an echo from unknown depths coming outward. I say “echo” because it is difficult to determine what becomes of a feeling or thought once it is released into the universe. Perhaps on some level (collective consciousness, spiritual, or what have you), we communicate with symbols that carry deep personal meanings.
Upon looking closer, one can detect the relief caused by the use of texture. Using my palate knife, I sculpted the division of the planet’s rings from the body of the sphere. It was also difficult to make a decision as to whether or not it was proper to paint black lines to further divide the rings from the planet.
If I could change anything about this piece, it would be the unevenness caused by the division of the planet’s ring against the sphere body of the planet. I find it distracting.
When naming this piece, I wanted to avoid the obvious choice by calling it “Saturn”. To accomplish this, I researched other planets in our solar system with rings and learned that the planet Uranus has rings! The brightest of the 13 rings of Uranus is named Epsilon, and so voila!; the name of this golden planetoid painting was chosen.
This last shot is altered; brightness levels have been reduced, while contrast has been increased. This allows the blackness of the background to really offset the gold multi faceted sphere surface and it’s rings.
This design is also available on many items printed on demand at www.spacearttshirts.com. Thank you for stopping by.
My latest work is a gold trident with a textured surface. The piece is 11 x 14 inches and is entitled: Neptune’s Trident.
I started off with a free hand sketch of a 3 pronged shape. Using a ruler to outline the sections, my aim was to ensure a shape that was as “un-lopsided” as possible. Without a symbol to trace, or a rough draft on graph paper it was tricky to conceptualize this shape.
Once the shape was sketched on the canvas, I furthered my experimentation with texture by shaping a thin outline along the edges of the trident. I used a technique similar to the one used for decorating cookies with royal icing. Stiff and dry texturizing compound along the border wall, to contain a more watery texturized mix that was flooded into the body of the shape. You can see that this approach has its drawbacks since the relief of the borders seems to be much higher than the inner body. The higher relief along the border contributes to an unevenness generally.
One of the the things I learned from creating this piece was the need for neatness and order! As you can see, each tip of the trident should be much more “pointed”, yet they are uniquely different. This is because of my sketch that was lacking a cleanly drawn plan for where to apply texture on the canvas.
The result leans farther towards the abstract than I would have hoped for. This current study of work is based on dream-like apparitions of images, and symbols coming out of the darkness like an echo. I think that “Neptune’s Trident” is a perfect example of what I am trying to achieve. I am excited to begin working on my next project in this series.
My latest 10 x 10 inch// 25 x 25 cm acrylic on canvas continues my study of singular-focused images against black negative space. This piece features a heavily textured triangle shape that is entirely golden.
I took photos of in the light, and so the shine of the black acrylic paint allows the viewer to also see raised texture floating in the blackness. Here (below) is a shot with the brightness turned down, and the contrast brought up to maximum. The painting has a much sexier look with the adjustments- and I think I will (one day) invest in the services of a professional photographer to capture my work.
What a haunting image
The intent behind this piece was to depict the fading light of a distant dying star. The glow is homogeneous and the texture is as even as I could apply it. It reminds me of a ghostly apparition. Something emerging from the darkness that has an unknown origin.
If I could change something about this piece, it would be the lack of clean and sharp lines. I will work on honing my sculpture skills in the next piece. This style needs to be explored, and I have quite a few ideas I’m very excited to implement.
Thanks for stopping by, and please check in again soon to see what I have been working on.
My latest work is a small 12 x 7 inch acrylic on canvas featuring pink and gold.
The white cloud border was applied as an overlay for the background after the entire area was painted.
I used acrylic calcium texture along the borders of this inkblot. I say inkblot because my first choice of using “swoosh” to describe the shape of pink and gold fields atop negative white space did not seem descriptive enough.
This is one of the first times I have used white as a negative space in my work. I think I avoid it because I always think white space on canvas seems unfinished. Alas, there is so much going on in this piece, that it demands a closer look.
I frequently see miniature scenelettes in my work. It is a byproduct of my process, and something that I feel passionately about. The feeling of creating where nothing existed before, is thrilling for me.
You can see this piece: Cotton Candy Nebula as a digital print on www.spacearttshirts.com as part of the newest collection.
Thank you for checking in to see my latest abstract acrylic artwork entitled “Ovation”. This 13 x 13 inch (33 cm x 33 cm) piece was created during a celebratory mood. I stretched premium 100% cotton canvas over thick 2 x 2 inch wood, and double primed the paint surface with gesso.
I used acrylic pouring and splattering techniques to illustrate surprise and joy. I tried a new technique by allowing base layers to dry, and adding light rose and pale pink blob-patterns that have a pearlescent glaze over top.
Gold highlights represent an excitement that contains prestige. Deep red splatter marks contrast throughout the piece signifying dramatic allure. The colours dance with each other deep into the background as this piece is examined closely, telling a story of triumph over drama.
At the crown of the golden triumph, six gold points lay atop a humble rose flourish. As a accent piece, Ovation is an attention-grabbing artistic statement.
It is October and Autumn is upon us in Ontario Canada, yet my latest artwork has a warm tropical vibe.
It reminds me of a golden coral reef scattered across a perfect tropical sea. As with all of my art, I encourage discussion regarding what is depicted in the painting. Abstract art has the opportunity to become much more personal to the viewer/owner when there are no constrictions on the concept of what is being depicted.
The gold and iridescent turquoise in this work provides for a reflective surface, and so depending on the point of incidence (the angle at which the light hits the surface) the vibrancy of the colours can be increased or diminished.
This is a very special piece. It exhibits texture, reflective surface, and an abstract representation of shapes. With a beautiful frame, this piece would add a serene calmness to any cherished space.
I have continued my emerging style of blending acrylic colours on handmade canvas. I know that mellow blues and greens are more popular with my customers, but I am often drawn toward bright orange and neon colours.
I will likely have fewer opportunities to experiment with various mediums- so my work will focus on expanding this emerging style.
Thank you for stopping by, and be sure to check out more of my Fall 2018 artwork this season.