I have continued my emerging style of blending acrylic colours on handmade canvas. I know that mellow blues and greens are more popular with my customers, but I am often drawn toward bright orange and neon colours.
I will likely have fewer opportunities to experiment with various mediums- so my work will focus on expanding this emerging style.
Thank you for stopping by, and be sure to check out more of my Fall 2018 artwork this season.
Continuing from my earlier post, this half slip/ petticoat is crimson in colour and features a beautifully concealed elastic waist band.
While making this version, I had to sacrifice on the size of the piece. I wanted to make the waist band around 46 inches, but was only able to make it stretch to a maximum of 42 inches. It still counts as plus size for a lady, but is a bit on the smaller size for sissy costumes.
My latest work is an abstract conception of underwater (or sunken) gold.
I have been fortunate enough to take a dearly needed vacation and created this during my time away from work.
This is a modest 12 x 24 inch portrait style original work, that features intense contrasts of deep blue and gold. The idea that I worked with was to have blue waves engulf gold as it sunk deep underwater.
The image is a passive commentary on the notion of sunken treasure and opportunities that are out of reach, but still visible.
Much of my art is conceptual, abstract, and utterly beautiful to the eyes of a kindred be holder. I’ve received a lot of interesting feedback on my technique and style from people; and the ultimate response is that I should keep on going!
I think 800 is a nice number for a lifetime goal of art work… 😉
I decided to buy a cheap brand of acrylic paint on a recent trip to the art supply store.
The quantity was plenty, and the colours looks great; but, when I got the tubes home I noticed that they did not mix well with my usual premium acrylic paints to create a style that I liked. One of the positive sides to this mishap, was that the paints had a nice body to them; and I was able to create some texture in this piece (seen above).
I have heard many times that in order to be good at something (like, really really good), you have to do whatever the thing is every single day. Following that stream of thought, it would make sense that some days as a painter, one just needs to paint for the sake of painting. The quality of the paint should not really matter or serve as a roadblock to achieving the goal of painting everyday.
Above we see an abstract landscape painting. I intended it to be a very abstract and colourful scene with mountains and a golden sun. I have heard from many admirers of my art that as the beholder’s they can decide on what they see. The colours are decided, but ultimately the image that is viewed is entirely up to you, and how you feel at that moment.
although I had very reasonable intentions, it did not turn out as I had expected.
I am a harsh and rigid critic of my own work.
I think that it is important to appreciate your good and bad pieces as an artist. It is a part of any journey to becoming something: learning from your mistakes and planning out what to do better next time.
It will be a great feeling to cover up some of these with gesso.