My latest work is an acrylic relief painting that is heavy in texture. There is so much texture that my work is part sculpture, as the object emerges from the canvas surface.
The concept follows the theme of my last few pieces; which is to show singular symbols against a black background. As the golden image floats through the darkness, it is representative of an echo from unknown depths coming outward. I say “echo” because it is difficult to determine what becomes of a feeling or thought once it is released into the universe. Perhaps on some level (collective consciousness, spiritual, or what have you), we communicate with symbols that carry deep personal meanings.
Upon looking closer, one can detect the relief caused by the use of texture. Using my palate knife, I sculpted the division of the planet’s rings from the body of the sphere. It was also difficult to make a decision as to whether or not it was proper to paint black lines to further divide the rings from the planet.
If I could change anything about this piece, it would be the unevenness caused by the division of the planet’s ring against the sphere body of the planet. I find it distracting.
When naming this piece, I wanted to avoid the obvious choice by calling it “Saturn”. To accomplish this, I researched other planets in our solar system with rings and learned that the planet Uranus has rings! The brightest of the 13 rings of Uranus is named Epsilon, and so voila!; the name of this golden planetoid painting was chosen.
This last shot is altered; brightness levels have been reduced, while contrast has been increased. This allows the blackness of the background to really offset the gold multi faceted sphere surface and it’s rings.
This design is also available on many items printed on demand at www.spacearttshirts.com. Thank you for stopping by.
My latest 10 x 10 inch// 25 x 25 cm acrylic on canvas continues my study of singular-focused images against black negative space. This piece features a heavily textured triangle shape that is entirely golden.
I took photos of in the light, and so the shine of the black acrylic paint allows the viewer to also see raised texture floating in the blackness. Here (below) is a shot with the brightness turned down, and the contrast brought up to maximum. The painting has a much sexier look with the adjustments- and I think I will (one day) invest in the services of a professional photographer to capture my work.
What a haunting image
The intent behind this piece was to depict the fading light of a distant dying star. The glow is homogeneous and the texture is as even as I could apply it. It reminds me of a ghostly apparition. Something emerging from the darkness that has an unknown origin.
If I could change something about this piece, it would be the lack of clean and sharp lines. I will work on honing my sculpture skills in the next piece. This style needs to be explored, and I have quite a few ideas I’m very excited to implement.
Thanks for stopping by, and please check in again soon to see what I have been working on.
My latest work is a small 12 x 7 inch acrylic on canvas featuring pink and gold.
The white cloud border was applied as an overlay for the background after the entire area was painted.
I used acrylic calcium texture along the borders of this inkblot. I say inkblot because my first choice of using “swoosh” to describe the shape of pink and gold fields atop negative white space did not seem descriptive enough.
This is one of the first times I have used white as a negative space in my work. I think I avoid it because I always think white space on canvas seems unfinished. Alas, there is so much going on in this piece, that it demands a closer look.
I frequently see miniature scenelettes in my work. It is a byproduct of my process, and something that I feel passionately about. The feeling of creating where nothing existed before, is thrilling for me.
You can see this piece: Cotton Candy Nebula as a digital print on www.spacearttshirts.com as part of the newest collection.
My latest work is an experimental use of gold against red on wood board. Similar to my last two posts (See below) the use of wood enables a level of texture and complexity that is not easily achieved with canvas. The size is also comparably smaller.
The orientation is more flexible, as seen above. When viewing this piece it is really up to the observer to decide whether they prefer the gold on the bottom, top, or sides. But to be decisive, I created the piece to be hung as it looks in the first photo.
The dimensions are 14 inches x 10 inches. I finished this (and the other wood board pieces) by adding a strip of decorative trim along its edges; however, I would like to try my hand at encasing these pieces in decorative wood frames. The millwork wood that is used for this purpose is usually available at Home Depot in 8 ft lengths. The cost is usually between $5 and $15 CDN so it would be very inexpensive to make my own.
The big question for me is: can I cut the angles right to make a perfectly fitting frame?
Inspiration comes in many forms; and for this piece I was inspired by love and the heart.
St Valentine’s Day was last week, and as usual we become inundated with images of cutesy cartoon hearts, and cherubs with messages telling us to show love to our friends and family by spending money.
Most of what we purchase are useless trinkets that do very little to further any true affect for our loved ones, but fills the empty space of an average cosmopolitan existence. I suppose that is a topic for another day.
My latest piece is a reflection of the heart, without the fake imagined sentiment. The heart beats. It supplies blood to organs, and for most of us we can only pray that it does not stop beating too soon.