My latest 10 x 10 inch// 25 x 25 cm acrylic on canvas continues my study of singular-focused images against black negative space. This piece features a heavily textured triangle shape that is entirely golden.
I took photos of in the light, and so the shine of the black acrylic paint allows the viewer to also see raised texture floating in the blackness. Here (below) is a shot with the brightness turned down, and the contrast brought up to maximum. The painting has a much sexier look with the adjustments- and I think I will (one day) invest in the services of a professional photographer to capture my work.
What a haunting image
The intent behind this piece was to depict the fading light of a distant dying star. The glow is homogeneous and the texture is as even as I could apply it. It reminds me of a ghostly apparition. Something emerging from the darkness that has an unknown origin.
If I could change something about this piece, it would be the lack of clean and sharp lines. I will work on honing my sculpture skills in the next piece. This style needs to be explored, and I have quite a few ideas I’m very excited to implement.
Thanks for stopping by, and please check in again soon to see what I have been working on.
My latest 13 inch x 13 inch// 33 cm x 33 cm artwork is an abstract birds-eye-perspective of islands. It is entitled “Gold Coastal”.
The scattering of lush green islands across a deep cerulean blue coastline is pleasing to the eye. It is easy to find relaxation as the eyes travel from island to island; imagining the people, places, and things that live on each one.
I used real 10K gold leaf to emphasize three areas of the archipelago setting. For me, there is always power in trilogy as it carries a deep personal meaning. There are darker shimmering layers throughout the piece to emphasize the complexity of the shoreline. I limited my use of relief in this piece, although I think a bit more texture would have been a good replacement to add grains of detail along the coasts.
My latest work has two parts. I spent twice the usual amount of time to paint these two pieces at the same time. My goal here was to use the same colour scheme to carry across two landscapes.
In the end, I created “Terror Beach” (right) and “Call out to the Universe” (left).
When set side by side, the sweeping brush strokes seem to begin in the lower right hand corner and fly out to the left.
The dripping violet that emerges from the conical horizon in “Terror Beach” creates an eerie setting. There is a ghostly apparition of a sun or moon above the mountains that does little to illuminate the texture rich darkness that encroaches from the eastern skyline. And yet, somehow, there is a mysterious shape below the waters that edge the mountainous horizon.
“Call Out to the Universe” has a similar mysterious message; begging the question of who calls out to whom in the vast emptiness? An unfamiliar object is answering the call.
This recent work was a thrill for me. I enjoyed the story telling aspect as much as creating the actual painting itself.
You can check out the listing for sale on my Etsy page by clicking here.
Recently, I completed a commissioned art work that features green, silver, and blue acrylic.
Remembering the old advice I received once: “If you want to be good at something you must always practice, practice practice!”
As a result, I have been using store bought canvas for my day to day practice. When I am ready to create a higher quality piece, I still prefer to use the canvas that I custom make. When I make my own canvas I use 100% heavy cotton canvas, I stretch it over thick 2 x inch wood, and I triple prime the canvas with gesso.
Unless an artist is paying for the highest premium canvas available, the level of quality I get from making my own canvas is unparalleled. As I have mentioned before, when an artist is unrestricted by the high costs of supplies and materials their creativity is able to reach heights that the average person can only dream of.
That being said, my latest commissioned work:
This untitled piece is 10 x 10 inches and has been painted on store bought canvas.
It is essentially a blend of colours with sharp splatters of silver. This piece is very abstract and was mainly a focus of colour composition rather than form.
It is a slight departure from my usual work, but I really enjoyed the way it developed.