My latest work is a mask inspired by my ancestral Yoruba tribe from West Africa. I wanted to represent the model of an elongated and oval shaped face, as this is commonly seen on traditional masks from the region.
Here you can see an up close and angled perspective of the nose bridge of the mask. The area is raised slightly to show a break in the surface of the face.
The method of this painting further explores my current practice of singular images against a black negative space. For this blog post, I felt that it was beneficial to take photos of the side angles and above/below vantage points to fully emphasize the immense texture in this piece.
A side view reveals a crevice of texture that was created when I applied some very grainy pieces to the face surface. I did this to add drama to the piece, and to represent the tribal scars of warfare that this mask would traditionally represent.
The eyes are a deep vacant black with glowing gold specks that are raised and have texture. My initial response was that seemed “spooky” but I think it was necessary to have gold floating over top of a black area for the eyes; as it allows the eyes to have their own space and stand out.
If looking closely, you can see a faint outline of lips protruding from the surface. I tried my best but I often get impatient when I have a good idea that I am excited about. Adding lips to emphasize the African features was one of these ideas. The next time I attempt to make a mask like this, I would like to spend more time on smoother corners and more pronounced features.
Thank you for stopping by, and as always I enjoy reading your comments
My latest work is an acrylic relief painting that is heavy in texture. There is so much texture that my work is part sculpture, as the object emerges from the canvas surface.
The concept follows the theme of my last few pieces; which is to show singular symbols against a black background. As the golden image floats through the darkness, it is representative of an echo from unknown depths coming outward. I say “echo” because it is difficult to determine what becomes of a feeling or thought once it is released into the universe. Perhaps on some level (collective consciousness, spiritual, or what have you), we communicate with symbols that carry deep personal meanings.
Upon looking closer, one can detect the relief caused by the use of texture. Using my palate knife, I sculpted the division of the planet’s rings from the body of the sphere. It was also difficult to make a decision as to whether or not it was proper to paint black lines to further divide the rings from the planet.
If I could change anything about this piece, it would be the unevenness caused by the division of the planet’s ring against the sphere body of the planet. I find it distracting.
When naming this piece, I wanted to avoid the obvious choice by calling it “Saturn”. To accomplish this, I researched other planets in our solar system with rings and learned that the planet Uranus has rings! The brightest of the 13 rings of Uranus is named Epsilon, and so voila!; the name of this golden planetoid painting was chosen.
This last shot is altered; brightness levels have been reduced, while contrast has been increased. This allows the blackness of the background to really offset the gold multi faceted sphere surface and it’s rings.
This design is also available on many items printed on demand at www.spacearttshirts.com. Thank you for stopping by.
My latest piece is ultra calm and tranquil. Continuing with the 13 x 13 inch canvas size series, I painted and poured this acrylic on canvas abstract using premium heavy duty cotton canvas stretched over thick 2×2 wood.
The title is Homonym and I feel like I can just fall into it..
The top of the piece is an abstract setting of the sun cascading over water that is becoming increasingly rough. There are wisps of grey storm clouds co-mingling with the sun- perhaps to ultimately overpower it.
There is movement in this piece, yet mysteriously a light triangle coloured object is adrift within it. I love how this one turned out!
Thank you for checking in to see my latest abstract acrylic artwork entitled “Ovation”. This 13 x 13 inch (33 cm x 33 cm) piece was created during a celebratory mood. I stretched premium 100% cotton canvas over thick 2 x 2 inch wood, and double primed the paint surface with gesso.
I used acrylic pouring and splattering techniques to illustrate surprise and joy. I tried a new technique by allowing base layers to dry, and adding light rose and pale pink blob-patterns that have a pearlescent glaze over top.
Gold highlights represent an excitement that contains prestige. Deep red splatter marks contrast throughout the piece signifying dramatic allure. The colours dance with each other deep into the background as this piece is examined closely, telling a story of triumph over drama.
At the crown of the golden triumph, six gold points lay atop a humble rose flourish. As a accent piece, Ovation is an attention-grabbing artistic statement.
Spring is nearly here: however in Southern Ontario, that does not always mean it will be warm outside or without snow.
The weather has been trite with gloomy over cast and threats of blizzards this week; so I decided to create a piece that would be an antithesis to current moods.
I call my latest piece: Jaune (yellow) Tide.
I integrated bright yellows, cerulean blues, aqua, and green hues in vibrant splashes on a gallery wrapped canvas. My favourite parts of this piece are the bright expanses of Yellow that bring warmth and happiness to the eye. The aqua is a nice offset against the blue as well.
As with many of my paintings, it can be hanged in any orientation; although it is difficult for me to decide where to sign each piece. I may adopt a symbol for signing my work in the future, so as to reduce the impact of a signature.
Inspiration comes in many forms; and for this piece I was inspired by love and the heart.
St Valentine’s Day was last week, and as usual we become inundated with images of cutesy cartoon hearts, and cherubs with messages telling us to show love to our friends and family by spending money.
Most of what we purchase are useless trinkets that do very little to further any true affect for our loved ones, but fills the empty space of an average cosmopolitan existence. I suppose that is a topic for another day.
My latest piece is a reflection of the heart, without the fake imagined sentiment. The heart beats. It supplies blood to organs, and for most of us we can only pray that it does not stop beating too soon.
I created these as complimentary pieces using gold leaf. Each measures to be about 36 x 24 inches- quite large for acrylic on canvas. My goal was to create a glimpse into an underwater wold with dark colours blended into light yellows and gold.
I have hanged the two pieces in landscape orientation with the piece on the right above the piece on the left in my home: my hope is to create a statement wall of art that will act as a “conversation starter” in our dining area. I love interior design: especially when it is for my own home.
On the left
I like the use of violet (purple) as I rarely use this colour. It’s a colour that evokes deep emotion, and I find my eyes drawn to it when I behold this piece.
It’s very lovely.
The introduction of yellow at the top of this piece was a risk: I don’t actually love that hue of yellow as I feel that it contrasts too much with the violet colours (perhaps that is why I don’t often use violet as I find it difficult to compose colour schemes when it is involved).
On the right
I painted this piece first (before the one on the left). The colours are softer- much more somber than the hard contrast of the companion piece. There is much more gold leaf in this piece, and the dominant colours are grey and sky blue. I think this one captures the “underwater” theme more concretely.
I am looking forward to creating more pieces like this, and I think I am developing a distinct style for acrylics on canvas.