Gold acrylic triangle with black

My latest 10 x 10 inch// 25 x 25 cm acrylic on canvas continues my study of singular-focused images against black negative space. This piece features a heavily textured triangle shape that is entirely golden.

Gold triangle against black acrylic
Gold angles by Stephanie Konu

Gold light

I took photos of in the light, and so the shine of the black acrylic paint allows the viewer to also see raised texture floating in the blackness. Here (below) is a shot with the brightness turned down, and the contrast brought up to maximum. The painting has a much sexier look with the adjustments- and I think I will (one day) invest in the services of a professional photographer to capture my work.

What a haunting image

The intent behind this piece was to depict the fading light of a distant dying star. The glow is homogeneous and the texture is as even as I could apply it. It reminds me of a ghostly apparition. Something emerging from the darkness that has an unknown origin.

If I could change something about this piece, it would be the lack of clean and sharp lines. I will work on honing my sculpture skills in the next piece. This style needs to be explored, and I have quite a few ideas I’m very excited to implement.

Thanks for stopping by, and please check in again soon to see what I have been working on.

S

Cotton Candy Pink and Gold

My latest work is a small 12 x 7 inch acrylic on canvas featuring pink and gold.

Pink, magenta, gold inkblot bright colour with white negative space.
Cotton candy Nebula by Stephanie Konu

The white cloud border was applied as an overlay for the background after the entire area was painted.

I used acrylic calcium texture along the borders of this inkblot. I say inkblot because my first choice of using “swoosh” to describe the shape of pink and gold fields atop negative white space did not seem descriptive enough.

Pink, magenta, gold inkblot bright colour with white negative space
Cotton candy Nebula (zoom) by Stephanie Konu

This is one of the first times I have used white as a negative space in my work. I think I avoid it because I always think white space on canvas seems unfinished. Alas, there is so much going on in this piece, that it demands a closer look.

Pink, magenta, gold inkblot bright colour with white negative space
Cotton candy Nebula (zoom) by Stephanie Konu

I frequently see miniature scenelettes in my work. It is a byproduct of my process, and something that I feel passionately about. The feeling of creating where nothing existed before, is thrilling for me.

You can see this piece: Cotton Candy Nebula as a digital print on www.spacearttshirts.com as part of the newest collection.

Pink, magenta, gold inkblot bright colour with white negative space
Cotton candy Nebula by Stephanie Konu

Thanks for stopping by,

S

January Abstracts

My latest piece is warm, golden, azure blue-esque, iridescent and metallic. (The hour that I write this is a very late one, so bear with me.)

This piece is small, yet the impact is big. Deep layers of varying shades of blue act as the backdrop of this work. Looking deeply, one can observe a light sheen of translucent turquoise that has an ever so slight iridescent quality.

The concept of this piece began with a desire to have a richly layered blue foundation for another rich, yet contrasting , metallic gold acrylic pour. I think this piece is another excellent example of the participatory feature of my work. The viewer of the work is the most important decipher-er of what it means. I can tell you what it means to me; however it is only a mere suggestion to the next set of eyes.

20190116_072143

Thanks for stopping by,

 

-S