My latest piece is warm, golden, azure blue-esque, iridescent and metallic. (The hour that I write this is a very late one, so bear with me.)
This piece is small, yet the impact is big. Deep layers of varying shades of blue act as the backdrop of this work. Looking deeply, one can observe a light sheen of translucent turquoise that has an ever so slight iridescent quality.
The concept of this piece began with a desire to have a richly layered blue foundation for another rich, yet contrasting , metallic gold acrylic pour. I think this piece is another excellent example of the participatory feature of my work. The viewer of the work is the most important decipher-er of what it means. I can tell you what it means to me; however it is only a mere suggestion to the next set of eyes.
I used an acrylic pour method as the background; mixing white and silver as the colour for waves splashing on the coast. If you look closely, you can see a high tide wave emerging from the lower left side.
As the acrylic pour developed: a coral-like branch protrudes out into the heart of the painting. The branches have a fractal quality to them, which pull the eyes deeper in.
Over the vista, and through the green limbs of an alien-looking cactus plant; two moons co-orbit the sky. The presence of two moons makes evident that this abstract scene takes place on another world. In my imagination, the piece looks out from the reeds to the sky on a clear night. In a warm atmosphere, an ocean wave washes on to the shore sending water splashing up into the night sky. The oddly shaped plant is my favourite part as it is totally imperfect, but works well with the painting’s alien theme.
My latest work is an abstract mixed media on canvas. I used 24K gold leaf in addition to gold and black acrylic to create a piece that I call: “Concerto”.
Concerto is an abstract representation of my imagination of time in the universe. Time is a fluid force that melts through its environment, seeping into small crooks and caverns. The fluidity of time is one that is difficult to contain, and is uncontrollable as a result.
The positioning of each corner where gold touches black- where time meets our reality- is temporary. In this piece, the golden field melts over-top of the black expanse in an uneven method, also signifying the non-linear nature of the measurement of time in the universe versus our perceptions.
The gold colour signifies the rarity of time to humans in our existence. Time is limited, like gold, and thus holds immense value to us. At the heart of the gold acrylic field, a spackle of 24K gold leaf represents the truth and realness that lies within the unmeasurable field of golden time.
In this way, I intend to express that the value is truly authentic, as the heart of the field is real gold and not just a representation.
What do you see in my latest piece? Tell me what you think in the comments below.
Latest Scratch Work: Herald Angel 2018-
Acrylic on wood panel by Stephanie Konu
This abstract 10 x 10 inch wood panel is a wild ride of eclectic technique, unusual colour, contrast, and a psychedelic trip into the imagination.
I named it Herald Angel because the golden field that sits in the north-west corner represents an angel’s visit. Darkness swirls below. Iridescent green floats away into the atmosphere. Its existence is alien and benevolent.
I love how the heavy iridescent green floats over the complex blue background. The swirling blue is reminiscent of an ocean from a satellite view of a planet.
Thank you for checking in. I do this blog as an artistic expression for myself, so I love your comments!
My latest painting is a splendid mix of bright yellow, iridescent blue, and white. There is a surge of excitement in this piece, and some mystery as well.
As of yet, this painting is unnamed, which may as well be since I feel like it will have a short time with me as its owner. The eclectic blends and pops of colour on this unnamed work make it ideal for digitizing– a run through on Photoshop would produce some interesting lines that are invisible to the naked eye.
I feel like there is a story being expressed here- the bright yellow is the base layer, excitement and uncontrolled raw delight. The Id. Over head, clouds of opaque blue close in, partially encompassing our view of the excitement. Protective. Finally, white snow splashes and swirls at parts encroach over it’s lesser layer. Reason and altruism.
A few blue explosions that look mysterious in their origins remind us to expand once in a while.
My latest 13 inch x 13 inch// 33 cm x 33 cm artwork is an abstract birds-eye-perspective of islands. It is entitled “Gold Coastal”.
The scattering of lush green islands across a deep cerulean blue coastline is pleasing to the eye. It is easy to find relaxation as the eyes travel from island to island; imagining the people, places, and things that live on each one.
I used real 10K gold leaf to emphasize three areas of the archipelago setting. For me, there is always power in trilogy as it carries a deep personal meaning. There are darker shimmering layers throughout the piece to emphasize the complexity of the shoreline. I limited my use of relief in this piece, although I think a bit more texture would have been a good replacement to add grains of detail along the coasts.