My latest 10 x 10 inch// 25 x 25 cm acrylic on canvas continues my study of singular-focused images against black negative space. This piece features a heavily textured triangle shape that is entirely golden.
I took photos of in the light, and so the shine of the black acrylic paint allows the viewer to also see raised texture floating in the blackness. Here (below) is a shot with the brightness turned down, and the contrast brought up to maximum. The painting has a much sexier look with the adjustments- and I think I will (one day) invest in the services of a professional photographer to capture my work.
What a haunting image
The intent behind this piece was to depict the fading light of a distant dying star. The glow is homogeneous and the texture is as even as I could apply it. It reminds me of a ghostly apparition. Something emerging from the darkness that has an unknown origin.
If I could change something about this piece, it would be the lack of clean and sharp lines. I will work on honing my sculpture skills in the next piece. This style needs to be explored, and I have quite a few ideas I’m very excited to implement.
Thanks for stopping by, and please check in again soon to see what I have been working on.
My latest work is a small 12 x 7 inch acrylic on canvas featuring pink and gold.
The white cloud border was applied as an overlay for the background after the entire area was painted.
I used acrylic calcium texture along the borders of this inkblot. I say inkblot because my first choice of using “swoosh” to describe the shape of pink and gold fields atop negative white space did not seem descriptive enough.
This is one of the first times I have used white as a negative space in my work. I think I avoid it because I always think white space on canvas seems unfinished. Alas, there is so much going on in this piece, that it demands a closer look.
I frequently see miniature scenelettes in my work. It is a byproduct of my process, and something that I feel passionately about. The feeling of creating where nothing existed before, is thrilling for me.
You can see this piece: Cotton Candy Nebula as a digital print on www.spacearttshirts.com as part of the newest collection.
Latest Scratch Work: Herald Angel 2018-
Acrylic on wood panel by Stephanie Konu
This abstract 10 x 10 inch wood panel is a wild ride of eclectic technique, unusual colour, contrast, and a psychedelic trip into the imagination.
I named it Herald Angel because the golden field that sits in the north-west corner represents an angel’s visit. Darkness swirls below. Iridescent green floats away into the atmosphere. Its existence is alien and benevolent.
I love how the heavy iridescent green floats over the complex blue background. The swirling blue is reminiscent of an ocean from a satellite view of a planet.
Thank you for checking in. I do this blog as an artistic expression for myself, so I love your comments!
My latest work has two parts. I spent twice the usual amount of time to paint these two pieces at the same time. My goal here was to use the same colour scheme to carry across two landscapes.
In the end, I created “Terror Beach” (right) and “Call out to the Universe” (left).
When set side by side, the sweeping brush strokes seem to begin in the lower right hand corner and fly out to the left.
The dripping violet that emerges from the conical horizon in “Terror Beach” creates an eerie setting. There is a ghostly apparition of a sun or moon above the mountains that does little to illuminate the texture rich darkness that encroaches from the eastern skyline. And yet, somehow, there is a mysterious shape below the waters that edge the mountainous horizon.
“Call Out to the Universe” has a similar mysterious message; begging the question of who calls out to whom in the vast emptiness? An unfamiliar object is answering the call.
This recent work was a thrill for me. I enjoyed the story telling aspect as much as creating the actual painting itself.
You can check out the listing for sale on my Etsy page by clicking here.